Post-Punk Band Marketing
Full-stack release marketing for the post-punk, industrial, noise rock, shoegaze, coldwave, and adjacent independent scenes. Strategy AND execution from one team — dedicated media strategist, in-house photography studio, in-house screen printing warehouse, web, video, brand, PR, paid social, sync, tour. Portland-based, working with post-punk bands across the US, Canada, UK, and EU.
What Post-Punk Marketing Actually Requires
Post-punk lives in a specific visual and sonic register that doesn't translate cleanly to general music marketing. The scene is niche-but-loyal — and the playbook that works for streaming-friendly indie pop will dilute a post-punk release.
What actually works:
- Brand identity rooted in the post-punk visual lineage (Anton Corbijn, Peter Saville, 4AD, Factory Records, Mute) — high contrast, type-led, texture-rich.
- Photography that reads as post-punk in one frame: lighting, posture, palette, environment. Most general music photographers shoot toward the center; post-punk photo direction has to honor the darker register.
- Music videos with cinematic or industrial aesthetic — performance-led when budget is tight, concept narrative when the song supports it, full cinematic production for tentpole releases.
- PR pitched to scene press: Post-Punk.com, Brooklyn Vegan, Stereogum, Cvlt Nation, Treble, Dummy, The Quietus. Tier-1 placements (Pitchfork, NPR, FADER) are pitched as available; tier upgrade represents the pitch level, not guaranteed placement.
- Paid social targeted to actual post-punk Spotify audiences — not generic "indie" or "alternative" audiences that bleed into different scenes.
- Sync licensing prep and active pitching for film, TV, ads, and games that license post-punk and industrial tracks.
- Merch screen-printed in-house — not vendor coordination. The merch is part of the visual brand, not an afterthought.
- Tour support tailored to DIY-through-mid-tier venues where post-punk lives, not arena-tour playbooks.
Strategy AND Execution — From One Team
Most agencies are either strategy houses (decks, plans, no execution) or production shops (assets, no strategy). Davy is built to be both. A dedicated media strategist informs paid spend allocation, audience targeting, narrative arc, press positioning, and release timing — then the in-house team ships everything the strategy calls for. No vendor list to coordinate, no strategy that doesn't survive contact with production.
Pricing — Real Ranges, Not "Get In Touch"
Davy's quote calculator gives a real budget range for any combination of services. Some anchors:
- Release Campaign — Single $5,000 (30-day) / EP $9,500 (60-day) / Album $18,000 (90-day)
- Brand Identity — From $2,500 (mark + wordmark, 3 concepts) up to $15,000 (full rebrand sprint)
- Music Photography — From $1,200 (press portraits) up to $4,500 (campaign packages)
- Music Videos — From $3,000 (performance/lyric) up to $35,000 (multi-location cinematic)
- PR — From $2,500 (single release) up to $6,500 (album cycle). Tier-1 pitch upgrade +$3,500.
- Paid Social — From $750/month retainer (ad spend separate)
- Sync Licensing & IP Prep — From $150/track
- Media Strategy — From $2,500 (Strategy Sprint) up to $9,000 (3-month retainer)
Bundling 3+ services unlocks a 10% bundle discount plus Network Access (Davy's industry intro layer — labels, sync houses, festival bookers, brand reps).
Frequently Asked
What does post-punk band marketing actually involve?
Brand identity rooted in the post-punk visual lineage, photography and video direction that honor the darker register, PR pitched to scene press (Post-Punk.com, BrooklynVegan, Cvlt Nation, Treble), paid social targeting actual post-punk Spotify audiences, sync prep for film/TV/games, in-house screen-printed merch, and tour support tailored to DIY-through-mid-tier venues.
Who runs Davy's post-punk marketing work?
Davy Agency is run by Davy Pelletier in Portland, Oregon. The team includes a dedicated media strategist plus in-house production: photography studio, screen printing warehouse, web design, video, brand. Clients across post-punk and adjacent scenes include A Place to Bury Strangers, Bootblacks, Pixel Grip, fcukers, Kevin Moan, and Cold Waves Festival.
How much does post-punk band marketing cost?
Single release campaign from $5,000 (30-day). EP from $9,500 (60-day). Album from $18,000 (90-day). Layer PR, paid social, photography, video, brand, sync as needed. Configure your full quote at davy.agency/quote. Bundling 3+ services unlocks a 10% discount plus Network Access at no charge.
Does Davy work with bands outside Portland?
Yes. Portland is HQ (where the photography studio and screen printing warehouse live), but Davy works remotely with bands across the US, Canada, UK, and EU. Tour and PR campaigns target whatever markets the artist needs.
What makes post-punk marketing different from general music marketing?
Post-punk lives in a specific visual and sonic register. General music marketing pushes toward the streaming-friendly center; post-punk marketing has to honor a darker, more textural aesthetic and reach niche-but-loyal listeners through scene press, blogs, festivals, and curators. Davy is built to do the post-punk version specifically.
Can I hire Davy for one service, not a full campaign?
Yes. Every service is configurable a la carte. But the cleanest economics — and the best results — come from bundling 3+ services, which unlocks both a 10% bundle discount and free Network Access (Davy's industry intro layer to labels, sync houses, festival bookers, and brand reps).
